The most recent
monthly assignment topic of the Whitehorse Photography Club was
straight-out-of-the-camera black and white images. I am mostly a colour
photographer, usually resorting to monochrome only on occasion when
colour gets in the way and detracts from an image. I am also a
dedicated RAW format shooter; letting the camera bake in its processing
formula and throw away information it deems unnecessary in order to
produce a compressed JPEG file, seriously goes against the grain. So my
initial reaction was that I was not interested in participating in this
exercise. However, when I reviewed the black and white settings that
are available in my camera, I came to realize that it actually offers a
fair amount of user control. The purpose of the assignment was to
promote seeing in black and white, but for me it turned out to be as
much about learning the capabilities of my camera that I had never
used, not just black and white settings but other JPEG only functions
as well, and I had a ball doing it. The assignment restrictions
ultimately were eased to allow basic post-capture adjustments, but the
image shown here is true to the original parameters ... it is presented
exactly as it came out of the camera other than being resized with
standard output sharpening. Pentax K-5, Tamron AF 17-50mm f/2.8 XR Di-II LD @ 17mm