This remnant of a toppled tree is partially uprooted, split and twisted
to the extent that it is not entirely clear what is top or underside
and root or trunk. The prominent textures and complex patterns in the
weathered wood further provide a fascinating study of the tree’s
history. The original image was somewhat washed out by a thin veil
of flare. The Pentax 200 mm lens is more resistant to flare than most
of my film era optics but it still wasn’t good enough in the
brilliant ambience of a pure white snow covered landscape under the
March sun. The subject itself was not that brightly lit, as evidenced
by the slow shutter speed, yet it seems that stray light scattered into
the lens from the surrounding snowscape was enough to overwhelm the
darker content. A couple of simple adjustments in Adobe Lightroom
salvaged this photo but other subjects would suffer unacceptable loss
of shadow detail that could not be recovered. It has become clear to me
that only a lens that is designed or revised for digital use will do in
typical outdoor conditions at this time of year. Pentax K10D, SMC Pentax A 200mm f/4,
1/8 sec @ f/16