The tiny remnants of last
season’s plant life poke through a thin cover of snow atop a barren
hillside, and all is coated with hoarfrost. The scale of this scene is
miniature enough that my macro lens was mere inches from the subject
while I lay on the snow photographing it. The depth of sharp focus is
very thin in such close-up situations, especially with the lens set at
the wide aperture I wanted to use to produce a pleasant background with
circular out-of-focus highlights. The solution was to take multiple
frames, varying the focus point to cover the range of focus I wanted to
capture, and combine them by focus stacking in Photoshop. At this very
close distance and without my tripod, the easiest way to change focus
is not with the focus ring but rather by moving the camera relative to
the subject. Starting with the closest parts of the subject in sharp
focus, I slowly rocked forward, pivoting on my elbow which was
supporting me on the ground, while shooting in continuous drive mode
until I was confident I had covered the full range of sharpness I
needed. Only bits of these shots were sharp, but 8 of them combined to
produce the image you see above. Pentax K-5, Sigma AF 70mm f/2.8 EX DG Macro @ f/3.5